"Optics and Perception: Techniques and Materials for Varnish Retouching"
by
Pierre FLAVETTA
03
July
3:30 pm - 4:30 pm
Cinema THE RIO
48 Rue Sainte-Cécile 88500 Mirecourt

Public lecture
Transparent color systems remain both fascinating and relatively unexplored within modern scientific research.
Varnish retouching in violin restoration belongs to a similarly complex and subtle world. Our perception of reality is never neutral: it is filtered, constructed, and often misleading. In this sense, retouching—especially in lutherie—is not about restoring an objective truth, but about creating a convincing illusion.
Perception exists only in the mind, yet it follows precise rules. Once understood, these rules can be observed, questioned, and ultimately used to guide our work.
This lecture presents a selection of perceptual principles identified through recent experimentation, along with materials and techniques developed to address them.
Topics will include the behavior of color in relation to surface inclination, the control of opacity, and the adjustment of fluorescence under UV light. Through these examples, the presentation aims to offer practical insights into a field where visual accuracy depends as much on perception as on material knowledge.
English spoken lecture with french translation !
Duration: 1h
Reservation required; Free admission depending on the places available
Free entry with priority access for the holders of the WEEKEND pass


Pierre FLAVETTA
Pierre Flavetta is a French luthier based in Cremona, specializing in the reproduction of antique stringed instruments and the study of historical varnish materials. Trained at the Istituto d’Istruzione Superiore “Antonio Stradivari”, he combines traditional craftsmanship with a background in forestry, giving him a particular sensitivity to wood selection and material properties. Since 2018, he has been working independently, building and restoring instruments inspired by historical models. His approach is guided by close observation of classical instruments and a careful use of traditional techniques. Alongside his workshop practice, he conducts research on varnishes of the Italian Renaissance, combining historical study with practical experimentation. His work has been published in The Strad and presented at international conferences.
